Get Ready For EDC LV with These Killer Live Sets From EDC NY [LISTEN]

Yesterday, Insomniac founder Pasquale Rotella revealed the2016 Electric Daisy Carnival lineup by letting fans identify hundreds of song clips during a special episode of Night Owl Radio. To celebrate and get you ready for the main event June 17-19, we’re sharing some of the top live performances from the recent EDC New York.

TJR

Dada Life

Yellow Claw

Adventure Club

Dillon Francis

Source: Get Ready For EDC LV with These Killer Live Sets From EDC NY [LISTEN] | EDM.com

DJ Mag Name Their Top 100 Clubs For 2016

Source: DJ Mag Name Their Top 100 Clubs For 2016

Once more in 2016, Space Ibiza has been crowned #1 in DJ Mag ‘s annual poll of the word’s best clubs.
The White Isle superclub beat out last year’s Brazilian winner Green Valley for the top spot, returning for what’s their fourth win in the poll. But as DJ Mag point out, it will the last time you can expect to see Space Ibiza on the list. “This will be the venue’s final year of operation,” they write. “Widely regarded as one of the greatest clubs of all time, the Ibiza superclub has stood on the same site for over 25 years, and will close its doors at the end of the summer.”
Green Valley has been bumped down to the #2 for 2016, while Amnesia, Pacha Ibiza and South Korean nightspot Octagon round out the top five.
But the best thing about this year’s poll? An Australian club has made the cut. Sydney’s Chinese Laundry has clocked in at #80 on DJ Mag ‘s publicly-voted poll, the first time they’ve made the list since 2010. With dons like Sasha, Kolsch and Scuba all stopping by for sets in the past year, shout-outs from Flosstradamus and consistently excellent weekly line-ups, it’s not hard to see why Laundry raked in the votes.
All up 36 different countries are represented in 2016’s poll, from Colombia to new Middle Eastern entry the United Arab Emirates. See the full list below or on the DJ mag website.

DJ Mag Top 100 Clubs 2016
1 Space Ibiza, Ibiza
2 Green Valley, Brazil
3 Amnesia, Ibiza
4 Pacha, Ibiza
5 Octagon, South Korea
6 Zouk, Singapore
7 Hakkasan, Las Vegas
8 Ushuia, Ibiza
9 Sirena, Brazil
10 BCM, Majorca
11 Papaya, Croatia
12 DC10, Ibiza
13 Echostage, Washington
14 Paradise Club, Mykonos
15 fabric, London
16 Berghain/Panorama Bar, Berlin
17 Bootshaus, Cologne
18 Anzu, Brazil
19 Motion, Bristol
20 Noa Beach Club, Croatia
21 Warung, Brazil
22 Cavo Paradiso, Mykonos
23 Ministry of Sound, London
24 Guaba Beach Bar, Cyprus
25 Cocorico, Italy
26 Zouk, Kuala Lumpar
27 Sankeys Ibiza, Ibiza
28 The Warehouse Project, Manchester
29 Baum, Colombia
30 Air, Amsterdam
31 Digital Newcastle, Newcastle
32 Omnia, Las Vegas
33 Exchange, Los Angeles
34 Arma 17, Moscow
35 Marquee Las Vegas
36 Elrow, Barcelona
37 Matahari, Brazil
38 Space Miami
39 Barbarellas, Croatia
40 El Fortin, Brazil
41 Yalta, Bulgaria
42 Avalon, Los Angeles
43 Icon, Miami
44 Guendalina, Italy
45 Aquarius, Croatia
46 New City Gas, Canada
47 Fabrik Madrid, Madrid
48 Output, New York
49 White Club, Dubai
50 Encore & Surrender, Las Vegas
51 Versuz ,Belgium
52 Privilege, Ibiza
53 Cacao Beach, Bulgaria
54 EGG LDN, London
55 Womb, Tokyo
56 D-EDGE, Brazil
57 Lost Beach Club, Equador
58 Lux, Lisbon
59 Sub Club, Glasgow
60 Myst, Shanghai
61 The Palace (formerly Valkyrie), Philippines
62 Beach Club, Montreal
63 Sankeys Manchester
64 Coliseum, Jakarta
65 Elements, Beijing
66 Duel Beat, Italy
67 Rex Club, Paris
68 Watergate, Berlin
69 Mint Club,Leeds
70 Drais, Las Vegas
71 La Huaca, Peru
72 Cielo, New York
73 E11EVEN, Miami
74 Concrete, Paris
75 Revelin, Croatia
76 XOYO, London
77 Tresor, Berlin
78 Dragonfly, Jakarta
79 The Light, Las Vegas
80 Chinese Laundry, Sydney
81 Cubic, Macau
82 Foundation, Seattle
83 Velvet, Paraguay
84 Modo, Beijing
85 Metropolis, Paris
86 M2, Shanghai
87 Phonox, London
88 Kitty Su, India
89 Razzmatazz ,Barcelona
90 Ce La Vie, Singapore
91 Mad, Switzerland
92 Verboten, New York
93 Illuzion, Thailand
94 Stealth, Nottingham
95 CODA, Toronto
96 Rainbow Venues, Birmingham
97 X2, Jakarta
98 Studio 338, London
99 Space, New York
100 Robert Johnson, Frankfurt

Thoughts on EDM from Eric Prydz

Eric Prydz Speaks Out on Mainstream EDM, His Fear of Flying and Breaking the Mold | Your EDM.

Following on the heels of Eric Prydz‘s debut albumOpusThe Guardian‘s own Michael Cragg recently spent time with the progressive house grandfather to learn more about his take on the current state of dance music and his involvement in its constantly evolving growth. During a night of several different live events thrown in Los Angeles, Prydz opened up about the accessibility of mainstream EDM and his conscious efforts to remain on the outskirts.

 

“Musically it’s very accessible, quite cheesy and very pop. It’s not house or techno. It’s pop music with a four-four beat.”

As for the fans that follow it, he says that most of them don’t take the time to study or appreciate the art for more than a week or two’s time. As opposed to his own music, a tempered and clean-cut brand of progressive house, he implies that the top radio hits are fleeting and uninspired enough for him to want to avoid them as much as possible.

“I call it iTunes fans – it’s normal consumers who listen to the radio and they like the top 10 on iTunes so they like that song one week and then the next it’s something else. It’s like fast food, week-to-week music consumption.”

In almost every aspect, Prydz treats his music career differently than the cookie-cutter brand of modern dance music contributors. Despite his often hectic touring schedule, he frequently chooses to take a bus due to his fear of flying. Even though the vehicles seldom have onboard bathrooms, Prydz enjoys the the comfort and ease of his own approach, and manages to work his schedule around whichever methods most suit him.

“The EDM thing is almost like pot. Like when people say ‘if you’re going to smoke pot, then you’ll start doing heroin soon and moving on to stronger things. More refined.’ The whole EDM thing is very accessible, it’s like McDonald’s or something. You go to your first festival and you see these acts and it’s the confetti and it’s the boom and the screaming in the mic and the big melodies, and I can see how a 16-year-old kid at their first festival would get hooked on that. But you’re going to get older and your music taste will get more refined. You’ll develop a genuine interest in music.”

Being able to straddle the line between more mainstream crowds and the underground is something that Prydz has mastered over the course of his career. Under the pseudonyms Pryda and Cirez D, he has opened up the dance music community to his variety of tastes of expressions that fall outside the Prydz banner. Experimental house music and techno enter the spotlight when he resides over places like Los Angeles’s warehouse circuit and similar spots, events that the average EDM listener may not attend or know about.

“It’s like the way I meditate almost. And tonight I can go to this sort of dark underground hole and do this musically totally different thing for a few hundred people. But that’s just the way I am – I love this and I love that and I’ve found a way to do both.”

Carl Cox weighs in on why he is ending his 15-year Space Ibiza residency | Dancing Astronaut

Carl Cox weighs in on why he is ending his 15-year Space Ibiza residency | Dancing Astronaut.

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Countless questions were raised following Carl Cox’s sudden announcement that he would be ending his 15-year residency at Space Ibiza, but now the techno trailblazer provides fans with an in-depth explanation as to why: Ushuaïa Group will be taking over the superclub in 2017.

The Brit admitted to Inthemix, “It’s not that I’m walking away from the club, because Pepe [Rosello], the owner of Space, his contract is up at the club. He’s going to be 80 years old and will officially be out. It gets handed over to Ushuaïa Group across the road and its manager Jan will be given the keys to run Space. And once that happens, everything changes. So I have no desire to stay in that club for any reason.”

Cox goes on to discuss Ushuaïa’s ulterior motives, and that the promoter hoped he would continue his residency merely because it would help bring in significant cash flow. He can already envision Space’s downward spiral into a “models & bottles” type of venue, and the notion of being tied to a club that capitalizes on money as opposed to the music is, in a word, horrifying.

“…My heart tells me I will not ever do that – because if Pepe’s not there, I am not there. We grew up together, we’ve been all the way through this together, and we’re going to finish together. And I’m quite happy about that, because it means we leave the legacy of a club that made a difference. We can walk away with that – the legendary status of what used to happen at Space when we were there – because no one else can emulate that, it’s not possible.”

6 Tips For A Long & Fulfilling DJ Career – Digital DJ Tips

6 Tips For A Long & Fulfilling DJ Career – Digital DJ Tips.

THE SIX TIPS

 

1. Get a grip on the basics in preparation for the advanced

You’d be surprised at how much easier it is to learn advanced techniques when you’ve got a firm grasp of the basics that they’re built from.

If you want to get better, make sure you’ve got a proper foundation that consists of the absolute basics. It took me a long time to realise that a large chunk of the vocabulary of scratch sounds are built on combinations of the first few scratch principles and techniques that are taught to a beginner. All the while I was practising my crab scratches to cut like QBert when I should’ve been working on rhythm, consistency, and timing. If I spent half as much time working on these instead of shuffling a crossfader between a thumb and four fingers I would’ve been better at scratching than I am today.

The same goes for standard DJing – do you know why some musical keys work better with others? Can you truly beatmatch using only your ears? Do you know what all the knobs and faders on your controller or DJ mixer do?

Takeaway: It can feel like taking a step back instead of forward, but forcing yourself to strengthen your weak fundamental skills will allow you to explore more advanced concepts and techniques later on because you’re building on top of these foundations. This is how you set yourself up for success from the get-go.

 

2. Learn and work on your DJing daily

You could be an awesome DJ right now, but there’s always going to be something new to add to your set of DJ performance tools, such as Serato Flip.

The day that you feel you’ve learned everything there is to know about DJing is the day that your skillset begins to lose value. One reason for this is even though DJing on the surface is “mixing two songs together”, we all know that it goes a lot deeper than beatmatching the more you get into it: Mixing in key, programming your set and curating your libary, and even knowing when it’s appropriate to not beatmatch at all and just drop in your next tune are all things that look like second nature to veteran DJs because they’ve worked on it and continue to work at it despite their lofty status.

Another reason is that DJing is directly tied to technology: Things like DJing on an Apple Watchmay be a gimmick right now, but who’s to say how wearable devices will affect the way DJs perform in the years to come? This is basically the continuation of the debate that’s been raging since DJing started: Vinyl DJs hating on CD DJs, CD DJs hating on laptop DJs, laptop DJs hating on tablet / iPhone DJs, etc. Instead of complaining about new technology, I think a more constructive approach is to figure out how that new technology can elevate your performance and keep you fresh for as long as its connected to your core DJ values.

My favourite example of this is Carl Cox: He’s universally hailed as one of the greatest DJs of this generation, but you don’t see him resting on his laurels – he’s always pushing the envelope and moving forward. You probably won’t even catch him spinning vinyl (unless it’s a vinyl-only show), and the time may come that he even ditches CDJs altogether since he’s porting over his sets to the Traktor Kontrol S8, which affords him even greater flexibility to improvise during his banging techno sets (Stems will make this even more apparent.) It’s how he stays relevant, and why young DJs look up to him as a role model even though they’re not fans of his music just yet.

Here’s a 53-year-old DJ at the top of the game who’s still evolving and developing as a performer and artist, changing the DJ landscape by being authentic to who he is and putting the work in to understand how to integrate new technologies with his workflow. If that isn’t inspiring, I don’t know what is!

Takeway: Whenever you feel like slacking, think about this – there’s always someone hungrier who’s willing to put in more time and effort than you. Hustle, hustle, hustle!

3. Think long haul, but also look back at your accomplishments

Playing to a crowd this big could be one of your dreams, but it’s going to take time to get there. Appreciate and celebrate your small wins – they energise you to go after your goals.

When you’ve got a goal that’s still a while away, it’s tough to feel like you’ve achieved anything today – that club residency you’ve been building towards can feel like a pipe dream if you beat yourself up weekly for not getting there any earlier, or maybe you’ve been meaning to put out a four-song EP of original productions but can’t get past song number three.

Don’t beat yourself up over it: Acknowledge that there’s still a lot more to be done, but also realise that you already did at least some work, possibly even quite a lot if you’ve been diligent, and that in itself is a feat to be proud of – maybe you’ve been slowly growing a loyal fanbase at the at the local pub who’ll follow you without question to the superclub downtown, or maybe you’ve smashed the dancefloor by playing two of your original tunes and received genuine praise for them.

Takeway: The most meaningful goals in your career are the result of consistent daily efforts, so it’s always important to acknowledge these small victories to make it feel like you’re going somewhere instead of feeling stuck, and to motivate you further in reaching your DJ dreams – it’s easy to lose sight of what we’ve already accomplished when all we care about is what needs to be accomplished still.

4. Don’t be afraid to pivot

If you started out DJing with a controller and EDM, that doesn’t mean you’re stuck playing bangers on a plastic device forever. Developing your style and sound is part of evolving as a DJ, and you should rightfully explore playing other music genres that you like on different types of DJ gear (or even form a band, like Keys ‘N Krates in this photo)

I don’t care what people say – I really do believe that DJing is a creative work and the DJ is an artist. Chart music and EDM is great because it’s the path of least resistance to dance music at the moment, but that doesn’t mean you have to play that kind of music for the rest of your life just because you started out playing it. There’s a quote floating around online that goes “the best thing about DJing is that you get to reinvent yourself daily”.

While changing your sound every day will make it hard to grow a following (unless you’ve got like-minded followers!), the shifts in the kind of music that you play and the way you spin them are milestones in your career as a DJ for two reasons: One, it shows you’ve come from somewhere, so you’ve clearly not just started yesterday, and two, it shows your growth as an artist, even if that means changing your sound and style completely because they don’t resonate with you anymore.

Here’s a cool story: Pablo Picasso is legendary for his Cubism style of painting, but what most don’t know is that he started out painting natural figures that looked so real they could be photographs. When he had mastered that style (and grew tired of it), he started exploring other styles by breaking rules of composition.

Takeaway: Take a cue from Picasso and allow yourself to expand your musical palette – pivot when you feel you’ve hit a creative and technical wall. It might just be the breakthrough you need to reach the next level in your career.

5. Weed out what isn’t working to stay focused on what is

You’ve got to keep trying out new things if you want to get different results, and sometimes that comes with career choices. Let’s say you start to try out DJing at weddings and then someone asks you to partner up with them to start a mobile DJ business.

You say yes, but you find out later on that it’s all but eaten your time for club shows since you’re basically booked until year’s end, forcing you to play weekdays that are reserved for your day job. Plus, your partner now demands that you work full time at the company office and you only play your company’s gigs for the next 12 months to keep bookings flowing.

You could look at this situation both ways: Either you quit your day job and playing clubs to focus on growing your lucrative mobile DJ business, or you mutually agree to terminate your partnership and go back to playing clubs and working at your day job that sustains you. The important thing is to realise when something isn’t a “fit” for you anymore, and then to promptly remove it from your life after careful assessment.

You’ll find yourself doing this “weeding out” process in a lot of different stages in your career – you may not want to do week night gigs at pubs anymore, for instance, or you don’t want to play corporate functions anymore to focus on playing to a more musically open-minded audience. It can even be something as major and life-changing as relocating to a new city because you’ve grown weary of the stagnant scene in your hometown.

Takeway: It’s hard at the start, but the more you practise changing what you feel isn’t working, the easier it is for you to stay focused on your goals down the line because you’re being authentic.

6. Fall in love with the process, not the result

We see this all the time – many get into DJing because they’re enamored with the idea of playing in front of a massive crowd at Glastonbury, EDC, or Tomorrowland. They set out having been told that DJing these days is “super easy”, and that it’s the path of least resistance to stardom.

What they don’t realise is that all those festival headliners (yes, even the ones you abhor) put in an almost embarrassing amount of work through to be able to reap the benefits of playing for 45 minutes. There’s nothing glamorous about hard work, and that’s exactly why the media only shows us the “highlight reel” of all these superstar DJs waving their hands in front of thousands and having the time of their lives instead of the daily grind that consists of beating crazy studio deadlines, networking / promotions, and other backend work all having very little to no sleep at all.

Takeaway: Passion can fuel you to your dreams, but if you don’t genuinely enjoy  DJing, you’ll begin to wonder if it’s all worth it the second that you play your first empty room, and trust me, there will be many. DJing will then feel like a daily slog to get to the top just like any empty job, instead of the fulfilling experience of sharing music that it is at the core.

HOW HAVE YOU GOT ON?

Talent is only half (I’d argue less than half…) the battle, and you’d be surprised at how many less talented DJs are crushing it right now through sheer grit and the determination to keep getting better at the craft, whether it’s technical chops or in developing new skillsets. If you aren’t growing, you’re dying.

Now’s a great time to take a look at what you’ve accomplished so far in your DJ career (whether you started last week or in the last few decades), and to check those against your long term goals. If you want to really set yourself apart from the “next big DJ” as well as the thousands of beginners that get into DJing every year, get ready to work hard on a regular basis. Fine tuning your sound and musical senses take time, and staying motivated through the course really is one of the most challenging things you can face when reaching a career goal that’s pretty much sitting in the future still.

Learn to enjoy the journey instead of the destination. You’ll find that towards the end, the greatest satisfaction is in knowing how far you’ve come through all the small habits, efforts, and tweaks you’ve made along the way.

Like Steve Jobs said: “You can’t connect the dots looking forward; you can only connect them looking backwards.”

What’s your DJ journey looking like? Do you feel like you’re currently stuck in a rut, or are you happily moving toward your goals? What’s the one thing you’ve learned about DJing that you wish you could tell yourself when you first started? Let us know in the comments.

My VERY FIRST works as a producer (2002)

So on my last birthday, my very good friend, Wencel, pulls out this CD that contains my very first works as a producer back on 2002! The tracks were to be used for a Soundtrack for a film we were making called “Moonlit Days” (Emulating the movie “Groove” released in 2000). So, here it is, I know its rough but we all have to start somewhere!